This is your engine-it’s the single most important piece of hardware because it’s responsible for actually broadcasting your production.īe sure to close out any non-essential programs running in the background, and keep an eye on CPU usage (I maintain 5-20% normally while streaming). It’s likely you’ll utilize multiple computers on your show, so be sure to use your most reliable and battle-tested machine to run your encoding software. No matter what you’re broadcasting and to whom, many of the principles of live production still apply: Are you producing a clean video image? Does your lighting complement that image? Is your audio clear, crisp, and in sync? And then there’s the newest (and arguably most important) item on the checklist: Do you have a strong and stable internet connection? Let’s take a look at some production tips and gear recommendations that will help you execute your next live stream.Īs always, be sure to check with your university’s equipment-lending program before spending any money on gear! You're reading the latest media kit guide from Connect2 - supporting great equipment loaner services in Higher Education. It’s how gamers show off speed runs for massive audiences, and how a grandmother might show her family the steps required to bake her famous peanut-butter cookies. It’s how news departments handle on-air interviews. Now it’s how we bring in keynote speakers for conferences. It’s always been a staple of my career and I’ve found its transformation incredibly exciting. Over the course of the pandemic, it’s become much easier to pull off. Recent strides in technology, however, have revolutionized the business. The box lives in the rack somewhere and you can mostly forget about it.Live streaming has never been an industry for the faint of heart. You can do it from any computer on your LAN via a web GUI. If your streaming workflow consists of updating a stream key and hitting 'go' the simplicity of these devices are hard to beat. There are reasonably priced (under $2k) small appliances such as Epiphan Pearl Nano (supports multiple streams) or AJA HELO (supports 1 stream, but another user mentored restream.io etc). If you are only needing rtmp or srt streaming perhaps consider a hardware option. But for the price of a license and even a bottom end pc to run it. VMix is an option in line with or even ahead of Wirecast. I'm sure at some point you'll get a shoulder shrug about your old version not working anymore. V14 had an app crash on stream disconnect bug that they essentially told me 'tough shit, it's fixed in v15 which will be available.in the future'. I hope I didn't sound like I was encouraging you to stick around. Wirecast has sucked and lagged on so much while charging more and more that I've moved on. R/talesfromproduction All your weird stories R/LocationSound Location sound AKA Production Sound R/audiopost For post-production sound geeks in Games, TV, Film, and Broadcast r/crestron All that is good (and bad) in the world of Crestron r/broadcastengineering Also includes radio! r/CommercialAV Commercial audio, video, and control technologies If you have any questions or suggestions please feel free to messsage the moderators! We would love to make this a great and successful subreddit for all of us video engineers! Remember that no question is stupid and we work together to create a friendly community. All things video are welcome!įeel free to post anything you like from questions to pictures. From a dad with a camcorder to a professional engineer at the superbowl, or a small meeting room operator to a widescreen specialist, projectionist, LED wall engineer or a electrical video engineer. This subreddit is open to anyone to discuss, share and show their work, as well as ask questions towards anything concerning video production. Welcome to r/videoengineering! Inspired by our brother subreddit: audioengineering
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